TM-125 stage-floor microphone. Comes with 15-foot detachable cable. 5.1” x 3” x 0.92” high.
TM-125C stage-floor microphone. Comes with 6-foot permanently attached cable for extra ruggedness. 5.1” x 3” x 0.92” high.
TM-125 stage-floor microphone on stage.
FAQ
NEED HELP UNDERSTANDING SOUND SYSTEMS?
All microphones are listen-tested by a real human being, and 100% computer-tested.
Our mics are sold with a 3-year warranty. Plus, they have a money-back guarantee: You may try them out for 10 days and return them for a refund if they don't work in your application.
Designers Bruce Bartlett and Steve Mills have 57 years of combined engineering experience at Shure and Crown International. For more information on Bruce and Steve, click on the ABOUT US tab at the top.
TM-125 data sheet
TM-125C data sheet
Specs
Reviews
Mic Specs Explained (simple guide)
Download Sound System Basics
Mics for amplifying actors and dance groups on stage
School music and theater directors love these mics because they are affordable, effective and easy to use. Made of rugged heavy-gauge steel to withstand abuse.
TM-125: Supercardioid stage-floor mic with a detachable 15-foot cable with standard XLR connector. 10-day money back guarantee. $199.
TM-125C: Same as the TM-125 but has a permanently attached 6-foot XLR cable for extra ruggedness. Recommended if the mic cable is likely to be stepped on. 10-day money back guarantee. $199.
How many stage-floor mics do I need?
Click here to see the Floor Recording Microphone (formerly TM-125HP).
20’ stage: 1 mic center
stage.
25-30’ stage: 2 mics 12 to 15 feet apart.
35-40’ stage: 3
mics 15 feet apart.
45-50’ stage: 3 mics 17 feet apart.
Just place one to four mics on the stage floor near the front edge. Plug them into phantom-powered mic inputs. As part of a sound system, the mics pick up and amplify actors' voices over a wide area on stage with a clear, natural sound. They can provide good gain before feedback so you can hear every word.
The mics capture the footwork of dance groups without picking up thumps and vibrations from the stage floor itself.
These microphones are extremely reliable. They withstand heavy footsteps or other abuse that would damage other microphones. Click here to watch a video of the TM-125 being run over by a truck!
These are professional grade microphones. We designed the industry-standard PCC-160 stage-floor mic used in thousands of theaters across the country. The TM-125 is our next generation model, and it features these improvements:
- Smaller size (1.6" shorter)
- More rugged
- Smoother frequency response
- Tighter tolerances
- Made in U.S.A.
- 100% tested by the engineers who designed it
- Tech support directly from Bruce Bartlett
- Clear, natural sound.
- Good gain before feedback (adequate volume when used with a well-designed sound system)
- Very good rejection of the pit orchestra behind the microphone
PCC is a registered trademark of Crown International.